Two years ago, we launched an experiment: an online image library where we made 2,000 high-resolution images of artworks that the museum deemed to be in the public domain available for download without any restrictions. This week, we’ve exceeded ourselves with the launch of our new collections website, giving away ten times the number of images we offered in the initial image library. Nearly 20,000 high-quality images of art from our collection are available to search, download, and use as you see fit.
Merry Christmas: we just gave you 20,000 high-resolution images, for free. Now we have just one question: what are you going to do with them?
The Jabuticaba(Plinia cauliflora) is a fruit-bearing tree native to Minas Gerais and São Paulo states in southeastern Brazil. The tree is grown for its purplish-black, white-pulped fruits; they can be eaten raw or be used to make jellies and drinks (plain juice or wine). Other common names include Brazilian Grape Tree, Jaboticaba, Jabotica, Jabuticabeira, Guaperu, Guapuru, Hivapuru, Sabará and Ybapuru
Photo credit: Roberto Hoffman
Movement and interactive relationship with the body has been the most important element throughout my body of work. However through these works, I also started to explore the mechanical structure as a form. Mechanical structure becomes the most enjoyable form to me as it becomes complex yet remains simple and coherent. The contrast between metal structural form and natural feather, together with the repetitive and whimsical movements of fragile wings, provokes the imagination and evolves the intimate relationship between work and viewer/wearer. Although the recent series, segmented wings have been focused on the formal challenge to engineer an intricate movement that simulates bird wings, these works are intended to be a series of poems in which I develope my own formal language, interpret the nature of wings, create various structural forms with movements, and share the metaphor, imagination, humor, with viewer/wearer.